Characters on the Couch: Depression
by AJ Grant
"This is my depressed stance. When you're depressed, it makes a lot
of difference how you stand. The worst thing you can do is straighten
up and hold your head high because then you'll start to feel better.
If you're going to get any joy out of being depressed, you've got to
stand like this." - Charlie Brown
As the writers of
Buffy the Vampire Slayer's season six can
attest, working with a character who suffers from depression is not an
easy task.
How can you generate interest in a character who finds it impossible
to do anything besides lay in bed all day? Who cries without any
apparent reason? Who doesn't seem to enjoy anything anymore and would
rather be left alone? There can be an all too fine line between
accurately portraying the illness and leaving your audience wondering
why the protagonist hasn't changed facial expressions since the Carter
administration.
Despite the difficulty, authors continue to write depressed characters
- just as they continue to write married characters, skinny
characters, fat characters, gay characters, and cat-owning characters.
Depression is simply too common to ignore. Recent studies have
estimated that about 16% of the population have or will have suffered
clinical depression in their lives. Clinical depression is the
leading cause of disability in the United States, and the World Health
Organization estimates that it will be the second leading cause of
disability in the world by the year 2020, exceeding even heart
disease.
Depression's prevalence doesn't mean that you have to write about it
in every story - or in any story. However, many of your readers may
have, or may know someone who has, clinical depression, and they will
expect you to be accurate and understanding.
And interesting to read. Let's not forget interesting.
Let's Get Clinical
Over the years there has come to be a difference between "depression"
and "clinical depression." The reason for this is that "depression"
on its own has become a catch-all phrase for anyone who feels down in
the dumps.
Get yelled at by your boss, spill chocolate ice cream on your shirt,
and come home to find that your power is out and most people will nod
with understanding if you say that those events made you feel
depressed.
But there is a difference between a run-of-the-mill bad mood and
clinical depression. Bad moods are temporary. They may involve the
same crying, lack of appetite, and generally subdued manner of
clinical depression, but these things go away after a good meal with
friends, a vacation, or a good night's sleep.
Clinical depression, on the other hand, does not go away once the
power comes back on or the shirt gets cleaned. Clinical depression
is not merely sadness; it is sadness when nothing is wrong, sadness to
a disabling degree, or sadness over an inappropriate length of time.
This is why, unlike "had a bad day" depression, clinical depression is
a medical diagnosis. The person who has it has an illness, the same
as someone with pneumonia or cancer. And, like pneumonia and cancer,
someone with clinical depression has much better odds of recovering if
they get treatment.
Bad Enough I'm Depressed, Now I Have To Prove It?
For a diagnosis of depression, patients must show five or more
symptoms from the DSM-IV-TR's criteria for Major Depressive Disorder.
(Assuming they are American. If they are not, then they need to
fulfill the requirements of the ICD-10. Don't know what the DSM-IV and
ICD-10 are? Go read
Characters
on the Couch: Introduction to find out.)
Of those five symptoms, at least one must be feelings of depression
and/or anhedonia (the inability to enjoy the pleasures of life, like
eating, sex, or getting a big tax refund) for at least two weeks. On
top of those, the patient needs to round out the required five or more
with:
A significant loss or gain of weight, or loss or gain of appetite
Sleeping too much or not enough
Psychomotor activity that is too fast or too slow
Tiredness and/or loss of energy
Near constant feelings of worthlessness or guilt
Trouble thinking or concentrating
Repeated thoughts about death or suicide
As far as that last symptom goes, while not all those who have
clinical depression have suicidal ideation (thoughts of committing
suicide) or actually try to kill themselves, it is common. Studies
have shown that in the United States over 30,000 people per year
successfully commit suicide and over 730,000 make the attempt.
Make It Go Away!
Treatment for depression varies depending upon the patient. One of the
frustrating aspects of depression is that there is no quick cure.
Even medication doesn't provide an instant fix. Instead it can take
weeks for any effect to be felt, and that assumes the patient is on
the right medication to begin with.
Types of treatment include:
Medication. Anti-depressant medications such as Prozac
and Zoloft are one of the primary treatments for depression.
Depending upon the patient's needs, medication can be prescribed
either for the short or long term. Short-term usage is helpful when
a patient needs help stabilizing his or her emotions long enough for
other forms of treatment to be implemented (e.g. someone who is
depressed due to a death in the family, and who therefore will gain a
great deal of benefit from bereavement counseling). Long-term useage
is for patients whose depression stems from faulty brain chemistry
which interferes with their ability to feel pleasure.
Medications typically take 2-3 weeks before they start to work, and it
can take up to three months to determinef whether they are truly
effective or beneficial to the patient. Not all antidepressants are
created equal, and medicine designed for someone who can't summon the
energy to get out of bed is not going to be the best treatment for
someone whose depression manifests itself as agitation and a
near-constant inner monologue about how worthless she is. In
addition, anti-depressants can have side effects as difficult to deal
with as the depression itself.
As a result, the search for the right medicine often takes a year or
more as different medicines are tried, each needing a three-month
trial period before patient and doctor can decide whether to continue
with it. This often frustrates patients, particularly as the
depression itself can make it difficult for them to try new things.
Moreover, when anti-depressants fail to help immediately, patients can
become convinced that they are incurable, or that treatment isn't
worth persuing.
Psychotherapy. Psychotherapy pulls some patients out of
depression, and helps others cope with the difficulties of chronic
illness. Treatment can include talking about the cause of the
depression, particularly if it is due to an event in his or her life,
as well as working on strategies for dealing with the symptoms of
depression when they crop up. Psychotherapy is frequently used in
combination with medication.
Hospitalization. Patients whose depression has made them a
danger to themselves or to others can be hospitalized to help keep
them safe until the urge passes. Hospitalization is typically a
temporary solution used in conjuction with other treatments; suicidal
patients may be hospitalized until medication gets them past the
crisis point, then treated with psychotherapy as a followup.
That's All Well And Good, But What About My Character?
Authors who choose to write about depression have many options for how
to express it. Fiction and genre fiction in particular offer the
tools of metaphor and symbolism. Anne Rice worked depression into her
novels by having her vampires bury themselves underground as a
physical manifestation of their mental inability to cope with the
world around them. J.K. Rowling turned her experience with clinical
depression into the Dementors, who suck all the joy and hope out of
those they attack.
Writing realistically about depression can be harder. After all, if a
character who sits and stares mindlessly at a stream of water runs the
risk of making boring TV, it runs an even higher risk of being boring
in a novel that has no pretty pictures to help set the tone.
However, written narrative has the ability to present information in ways that television cannot. To begin
with, we can crawl inside the character's mind. What onscreen is
moments of a blank expression can, in a written story, be highly
detailed paragraphs recounting the character's thoughts of misery and
worthlessness. Perhaps your protagonist is desperately trying not to
cry. Perhaps she's telling herself what a horrible job she's doing at
cleaning the dishes, and that nothing she ever does will be right.
Maybe she's even looking at the water coming down from the faucet and
finding herself amazed by how tempting it is to fill a glass with it
and then use it to swallow a bottle of aspirin.
Depression also manifests itself in ways unlike catatonia. Your other
characters may notice that their friend is increasingly irritable
lately. Maybe she's showing a newfound sensitivity to noise,
particularly as it affects her ability to concentrate. She might be
self-medicating with food or alcohol. Attempts to get her to join in
on previously regular activities may result in fights, or she may
appear flakey as she offers up lame excuses for why she can't go.
If she's suicidal, they may notice her tidying up loose ends. Things
like birthday cards might get mailed out weeks or even months in
advance. She may start giving away possessions, and stop making plans
for the future.
The symptoms or symbols that you show all depend upon the form of
depression that you want to represent. Once you understand depression
for the illness that it is and are familiar with the scope of the
effect it has on the patient's life, you are better equipped to
channel that knowledge to the written page. Doing so can make the
difference between who's actually depressed: your character, or the
readers who paid good money for a story they couldn't relate to.
Useful Links
National Institute
of Mental Health Depresison Handbook
Depression
screening test from NYU
Dealing with depression and suicide
National Mental Health
Association Suicide fact sheet
EMedicine - Depression
and Suicide
Dedicated to the memory of Olwen Ellen Baker.
© AJ Grant
AJ Grant has a BA in psychology from Columbia University, which may go
to prove the argument that a little knowledge is a dangerous thing. A
full listing of AJ's articles and stories can be found on AJ's website. AJ is a staff writer
for Reflection's Edge.